In the case below I have chosen to represent the advancement of renewable energy:
I knew from the beginning that I couldn't directly apply World War 2 (specifically Nazi) aesthetics to my campaign poster for obvious detrimental reasons, and so knew my inspiration and synthesis had to be taken from a deeper level.
This SolarCity poster was created with four main images in mind:
the endless and infinite imagery utilised in many examples of propaganda,
the endless stream of banners visible on important Nazi buildings during
World War 2, and the image of enormous rallies visible from above, thousands
of soldiers descending into the distance, banners above their heads.
The Nazi Party believed they were creating a better future, though the sane world disagreed. In the case of SolarCity, only those lacking sanity would claim they weren't.
I’ve managed to represent these deep, disturbing and powerful images with photovoltaic panels, proving that Graphic Design can have enormous social and political implications in the deepest of senses.
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